Hiyaaaa,
SO...I've started doing quick experiments and when i started to browse the internet I came across this article, which I thought this looks interesting and weird. I think its quite shocking but imaginative have a look here:
Over the centuries our definition of ‘art’ has changed a lot. Three hundred years ago, it meant paintings of trees. A hundred years ago, it meant paintings of squares. Today it means ‘insanity’. Yeah, since the advent of pop art and postmodernism, art has apparently gone from being an outlet for tortured poets, to something practiced exclusively by mad scientists. How else do you explain deranged social experiments like…?
8
The Suicide Sculpture
You could write an entire article titled ’10 Reasons Chris Burden was Crazier than a Shithouse Rat’ and still have plenty of examples to spare. For one, he once asked a friend to shoot him with a rifle (which the ‘friend’ then did); while another bout of insanity saw him nail himself to his car—a feat so uniquely crazy, David Bowie wrote a song about it.
But the absolute most-lunatic stunt he ever pulled was in 1975. Interested to see at what point an audience might intervene, he placed himself under a glass sheet next to a clock and lay there completely immobile. The plan was to not move until a visitor to the gallery got worried and tried to help him, but here’s the kicker: they didn’t. Even after Burden had crapped his pants and gone nearly two days without water, people just nodded politely and left him to it. The only reason his desiccated corpse isn’t still lying there now is because a gallery attendant got nervous and left a glass of water next to him: at which point Burden finally cracked and ended the show.
7
Visual LSD
Most of us who hear the words ‘video art’ instinctively turn and run as fast as we can from whoever said them, but Tony Conrad’s work is a little different. While it’s not exactly The Godfather, or even Godfather Part III, it aims to do something no mainstream blockbuster ever would: give you acid-trip hallucinations.
You read that right: the entire purpose of his 1966 film ‘The Flicker’ was to send the viewer into a state of advanced schizophrenia (for the love of God, DO NOT click that link if you suffer from epilepsy). Featuring nothing more than flickering lights projected in a darkened room, the experience was said to be such a ‘trip’ that it acted as visual LSD, giving rise to all sorts of crazy visions. This being the 60's, people loved it—leading to a whole heck-load of imitators: including Paul Shartis’ ‘TOUCHING’—which went one sense further by screwing with your hearing as well.
6
Tempting the Internet #1
Given what we know about the internet, it’s safe to assume the last thing any of us would want to do is plug ourselves into it—unless we wanted to spend the rest of our lives as the abused plaything of remorseless teenagers on 4Chan. Yet, in 1995, performance artist Stelarc did just that. Inserting electrodes into his muscles, Stelarc wired himself up to a network that allowed members of the public in Amsterdam, Paris or Helsinki to literally manipulate him from afar. By touching a button, they could cause his limbs to spasm on command or even move independently of the artist’s will. Surprisingly, participants didn’t use this chance to make him repeatedly punch himself in the balls or dance Gangnam style around the auditorium for twelve hours straight and Stelarc survived. In fact, he enjoyed it enough to do the whole thing a second time.
Seems as though my Blogger isn't allowing me to post the whole article I've listed it below:
listverse.com/2013/05/31/8-crazy-experiments-passed-off-as-art/
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